Friday, September 5, 2008

Hard Bargain: The Cherokee Prepare for War

The 18th Century comes alive at the Colonial Trade Faire in Fort Loudoun State Park. Featuring British soldiers and French soldiers, Creek Indians and Cherokee Indians, Magicians and Musicians, and even a Sword Swallower, this is the biggest event of the year at the Fort.

Our own Ken Smith will be involved in the festivities as his painting, Hard Bargain: The Cherokee Prepare for War, 1758, will be unveiled Saturday, September 6, 2008. It can be viewed starting at 10AM and will remain at the park’s Visitor Center after the Trade Faire is concluded. Limited edition prints of Hard Bargain will also be available for purchase at this time, as well as prints from the previous years. Ken will be on hand to personally sign prints on both Saturday and Sunday of the Trade Faire.

For more information about Fort Loudoun’s Colonial Trade Faire or to purchase prints, call Angie King at Fort Loudoun State Historic Area (432-884-6217), or to see more of Smith’s work, visit www.kensmithhistoricalart.com.

Tuesday, September 2, 2008

Travel Destination - Nova Scotia

Our second Travel Destination takes us to Nova Scotia with Media South's Creative Director, Ken Smith...
Where did you go? Fortress Louisbourg on the eastern tip of Nova Scotia (to participate as a British redcoat re-enactor in the 250th anniversary of the fall of the fortress).

How long did it take to get there and were there any travel problems?
It was a five-hour drive from the airport in Halifax to Louisbourg, which was a bit of surprise. Nothing seems to be very close in Canada.

What was the biggest difference you found between your vacation spot and Knoxville, TN?
Well, there’s the kilometers. When I saw the speed limit outside the airport was a 100, I was all “woo hoo,” but then I saw we weren’t talking MPHs. And there’s the bi-lingualage in French and Gaelic (instead of Spanish). Otherwise not so different (except maybe for the huge distances between gas stations and rest rooms).

What was the most beautiful (or most eccentric) place you went to on your vacation?
Fortress Louisbourg itself was definitely the most eccentric (and pretty beautiful too). It’s the largest historic recreation in North America: a rebuilt 18th century French fortress and village on the eastern coast of the province, full of fog and costumed interpreters (of which we were a part).

What was the favorite (or most expensive, odd, creative) item you purchased while there?
The most oddly expensive thing in Nova Scotia was Busch Beer. $11.00 a six pack!

Click on the photo montage for a larger view!

Tuesday, August 26, 2008

Travel Destination - New Zealand

At Media South, we love to travel. This past summer we went to several amazing places and we wanted to share them with you. Stay tuned for ideas of where to go for your next great adventure!

An Interview with Barbara Penland, Media South President and CEO

Where did you go?
On a roadtrip from Auckland on the North Island to Dunedin in Otago at the base of the South Island of New Zealand.

How long did it take to get there and were there any travel problems?
The plane ride to and from New Zealand is a 36-hour killer each way—made more challenging by first losing then regaining an entire day. We got up each morning for two weeks and drove to someplace new and exciting.

What was the biggest difference you found between your vacation spot and Knoxville, TN?
When we left New Zealand, it was snowing, and we came back to Knoxville’s 95-degree heat in June. Even in the summers, New Zealand’s temperatures are mild--similar to our spring and fall. The roads are almost all two lanes, and there are traffic lights that hold for 20 minutes at tunnels because they are all one lane—as are many of the bridges. Gas stations are few and far between. There are more sheep than people in New Zealand, so the landscape is like the best of East Tennessee’s mountains with snow caps.

What was the most beautiful (or most eccentric) place you went to on your vacation?
There were so many. Milford Sound in the South Island is called one of the most beautiful places in the world—peaceful, majestic (peaks 3 times the height of the Empire State building), and lush (9 meters of rainfall per year). The sulfur pools of the North Island boil and simmer and stink (think Mordor). The Maori tribal art and tattoos are beautiful and intricate. Who knew ferns could grow into 10-foot trees? And why are there California redwoods in New Zealand?

What was the favorite (or most expensive, odd, creative) item you purchased while there?
Kiwi birds (not to be confused with kiwi fruit or Kiwis—what New Zealanders call themselves) are strange little birds that are almost extinct, so we came back with kiwi replicas of different sizes, shapes, and materials. We also brought back greenstone (related to jade) carvings of the Maori’s mythological heitiki (first man) that look a lot like embryos.

Click on the photo montage for a larger view!

Wednesday, July 16, 2008

Media South Creative Director featured in this month’s Tennessee Conservationist magazine


This month’s issue of Tennessee Conservationist magazine chronicles the creation of Ken Smith’s series of paintings commemorating the 250th anniversary of the life of Fort Loudoun, a French & Indian War-era fortification, built and occupied by the British army near Chota, the capitol of the Cherokee nation (just outside present-day Vonore, Tennessee).

In the article Oil and Sweat: An Artist’s Perspective of the History of Ft. Loudoun, Smith provides a behind-the-scenes look at the process of creating these works of historical art. Commissioned by the Fort Loudoun Association, this is a five-year project, with each year adding a new depiction of the time when Redcoats and Cherokees worked and lived together in East Tennessee. The article discusses the very human aspects of Smith's work including his models and their experience in the artistic process.

“I always find it interesting to see the behind-the-scenes activity that goes into a piece of visual art, and I’m happy that Tennessee Conservationist readers will have a chance to see a little of the artistic process of the Fort Loudoun series” Smith says about the article.

Tennessee Conservationist is published bi-monthly by the State of Tennessee’s Department of Environment and Conservation. For information about the magazine, visit http://www.tennessee.gov/environment/tn_consv/.

For information about Fort Loudoun (and to buy a limited edition print of these paintings), go to www.fortloudoun.com.

Smith holds a BFA from the University of Tennessee, an MA from Syracuse University and a Master of Fine Arts from the University of Hartford. To see more of Smith’s artwork, visit www.kensmithhistoricalart.com.

Monday, June 30, 2008

Stop the Orphan Works Bill

Have you ever had your work reprinted without your permission? In the world of advertising and graphic design, such an experience is not terribly uncommon. Usually, a strongly worded email is enough for a retraction and apology, and if not, then perhaps a lawsuit can be filed with a reasonable chance of a successful outcome. Or at least, that was how things worked before the Orphan Works Act of 2008.

This bill (S.2913, H.R5889), currently being debated in Congress, states that any work will be considered “orphaned” five years after its completion date. Any creation (includ-ing photography, illustration, letters, emails, etc., of either a personal or professional na-ture) could then be used in any manner with no compensation whatsoever to the original artist.

The Orphaned Works Act will make it nearly impossible to protect the rights of your art-work/writings. The legislation’s proposed protection process is vague and cumbersome, requiring artists to scan and register all works with private, for-profit registries (which don't yet exist). The structure and cost for these registries has not yet been established, but an untenable fee of $100 per piece per registry is not out of the question. Infringers would only be required to perform a subjective “reasonable search” to determine the ownership status of a piece of artwork.

The Illustrators' Partnership has created a form letter that clearly expresses why artists of all ages and genres will be hurt by this legislation. You only have to provide your zip code to link to the email addresses of your state's congressmen and senators (there is also an option to add your own thoughts to the form letter). Please take a few minutes right now to send these letters and protect the rights to your intellectual property before it’s too late.

Contact your Senator in opposition to S.2913 by clicking here http://capwiz.com/illustratorspartnership/issues/alert/?alertid=11389061

The House Judiciary Committee is considering H. R. 5889, the companion
bill to S.2913. Contact your Congressman in opposition to H.R. 5889 by clicking here http://capwiz.com/illustratorspartnership/issues/alert/?alertid=11389081

To add your name to a petition against this Anti-Free Speech, Anti-Artist, Anti-Journalist Legislation. http://www.petitiononline.com/Stop2913/petition.html

If you are interested in further discussion on this topic, click below to a New York Times Op-Ed piece written by Stanford law professor, Lawrence Lessig who, despite his not being a fan of artist’s copyrights in general, still thinks this is a bad idea. http://www.nytimes.com/2008/05/20/opinion/20lessig.html

Friday, June 13, 2008

Projectile Roundup

by Jack Neely

Each April, this young man's fancy turns lightly to thoughts of the Civil War. When people ask me whether I'm a Civil War buff, I never know how to answer just because I'm not certain what a buff is, and don't want to give people the wrong idea. But April is the month the war started and the month it ended, and I always think about it.

Some enthusiasts–not to say buffs–ask why I don't write about the Civil War more often and the main reason is a book called Divided Loyalties, by Digby Seymour, M.D. Most of the good stories are already told, in there.

Whatever a buff is, Ed White is not one. He's an actor who for the last several years has been one of the most talented mainstays in dozens of comedies at Theatre Central on Gay Street.

A few months ago he volunteered to help a friend dig up an old fountain in her yard in Fort Sanders. As he was digging, he happened to turn up a heavy bullet-shaped object. It's thicker than any modern bullet. It's light tan in color, and looks like dirty limestone, but it's heavier than rock.

It has three rings around its shaft. But on the cone, near the tip, is a deep gash, as if it had collided at high speed with some object more solid than lead.

It's a Civil War minié ball, or bullet, as some prefer. It's named for Claude Etienne minié, the French army officer who designed it. The three rings on this one indicate it was probably of Union manufacture; its white color, which is typical, is corrosion. It was originally gray lead.

It's impossible to know when it was fired, and how it got here. As far as we know, a kid could have picked it up as a souvenir in Chattanooga in 1952, and it happened to fall through the hole in his pocket as he was helping his dad install a fountain. However, it seems at least as likely that it's no coincidence that Ed found it on the site of what was, 136 years ago, the deadliest fighting in Knoxville's portion of the war.

In November, 1863, Fort Sanders was a Union earthworks, its main ramparts along 17th Street, just five blocks east of this spot, within gunshot range. The ill-advised Confederate charge rolled right across this yard, long before it was a yard. In only 20 minutes, at least 129 men died. We say at least because after those 20 minutes, 226 were missing, some blown into fragments too small to recognize. In addition, 458 men were wounded, many of them by these three-ringed Federal minié balls.

I'm grateful to Ed for letting me borrow it for a while. I'd seen hundreds of minié balls in museums, but I'd never seen one freshly found. I'd never rolled one around in my hand. I've been carrying it around in my pocket, taking it to lunch, taking it for rides on my bicycle.

It was only a week after seeing that one, though, that I happened to see my second. It's framed on a wall over Ken Smith's desk.

Ken Smith is, arguably, a Civil War buff, though I'd never tell him so to his face; he used to be a re-enactor. He works as a designer at Media South in their new headquarters on Gay Street, though calling it new takes some license. It's a new-looking place, sure enough, with a design trendy enough to shoot a scene of Ally McBeal, but the office is actually in one of the oldest buildings on the street. It's a stretch of commercial buildings on the east side of Gay Street between Church and Cumberland. Besides the Lamar House, they're the only buildings on Gay Street that were probably there during the Civil War. A couple of them were heavily damaged by a a fire a year or two ago, but renovated, they appear to be in much better shape, and better used, than they've been in years.

The bullet looks a little different from the one Ed White found. For one thing, it has only two rings. That's supposed to indicate Confederate origin.

Renovator David Dewhirst found it a few months ago, and found it in an odd place. After a fire in the building, he pulled down some paneling and found it in the wall, just tucked there in the hollow of the concrete masonry between the bricks, as if someone had only placed it there.

Its origin seems less obvious. Though the first casualty of the Civil War in Knoxville was when a Unionist citizen was shot to death from a window at the Lamar House, right in this vicinity, in the spring of '61, there wasn't otherwise much combat downtown. We know there was a poolhall in this building at one time, maybe several over the years; Dewhirst found some old cue racks–and for all we know it may have been the same poolhall where Union veteran Samuel Dow organized the region's first baseball games in the summer of 1865. After actual battlefields like Fort Sanders, poolhalls are pretty high on the list of sites visited by gunfire.

Oddly, this particular minié ball doesn't appear damaged. Maybe it was never even fired, but just placed here for some now-forgotten purpose. Or maybe someone did fire it, perhaps a Confederate veteran disgruntled over an unpaid debt or a bad bank shot, and it slowed down going through something soft before coming to rest in this cozy niche in the wall.

Who knows how many more there are in Knoxville, probably thousands, in the walls of antebellum buildings and the lawns of Fort Sanders. I think about it every time I see a backhoe in Fort Sanders, scooping around where a house used to be. I watch them loading the dirt and debris and wonder where they're taking it, wonder whether anyone will ever notice that hundreds of men once bled on it.

Projectile Roundup originally appeared in Metropulse, Knoxville's alternative weekly magazine

Monday, May 5, 2008

Business Executives Take Note

Following on the heels of the successful launch of Executive Highlights magazine, First Tennessee Bank chose Media South for a redesign and redevelopment of their venerable publication, Business Review.

Directed at business executives across the First Tennessee/First Horizon region, the new Business Review features a colorful, easy-to-browse format with tips and advice on making your small business more efficient and profitable. This issue includes Best Practice business profiles of Alex Farris, president of Water Services, Inc. of Knoxville, Tennessee and Jim Fish, Executive Vice President of Echota Technologies, Inc. of Maryville, Tennessee.

To get your own subscription to Business Review, visit: www.firsttennessee.biz